Statistical Yearbook 2011

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− Introduction and contents
1. - 1. Introduction
2. - 2. Contents
3. - 3. Contents
4. - 4. Opening statements
+ Chief Executive's foreword
1. - 5. Chief Executive's foreword
+ 2010 – the year in review
1. - 6. Year in review
2. - 7. Year in review
+ Chapter 1: The box office
1. - 8. Chapter 1: The box office
2. - 9. 1.1 Admissions
3. - 10. 1.1 Admissions
4. - 11. 1.2 Box office earnings
5. - 12. 1.3 Film releases and box office revenues
6. - 13. 1.3 Film releases and box office revenues
7. - 14. 1.4 Country of origin of film releases
8. - 15. 1.4 Country of origin of film releases
+ Chapter 2: Top films in 2010
1. - 16. Chapter 2: Top films in 2010
2. - 17. 2.1 The top 20 films
3. - 18. 2.2 The top 20 UK films
4. - 19. 2.3 The top 20 UK independent films 2.4 The top 3D films
5. - 20. 2.5 Best weekend performance of UK films
6. - 21. 2.5 Best weekend performance of UK films
+ Chapter 3: Top films of all time at the UK box office
1. - 22. Chapter 3: Top films of all time at the UK box office
2. - 23. 3.1 All time top 20 films at the UK box office
3. - 24. 3.2 Inflation-adjusted top 20 films at the UK box office
4. - 25. 3.3 All time top 20 UK films at the UK box office
5. - 26. 3.4 All time top 20 independent UK films at the UK box office
+ Chapter 4: Genre and classification
1. + Genre
2. + BBFC classification
+ Chapter 5: Specialised films
1. + Specialised films at the UK box office in 2010
2. + Foreign language films
3. + Documentaries
  1. - 47. 5.3 Documentaries
4. + Re-releases of classic and archive films
  1. - 48. 5.4 Re-releases of classic and archive films
  2. - 49. 5.4 Re-releases of classic and archive films
+ Chapter 6: UK films internationally
1. - 50. Chapter 6: UK films internationally
2. - 51. 6.1 UK films worldwide
3. - 52. 6.2 UK films in North America
4. - 53. 6.2 UK films in North America
5. - 54. 6.3 UK films in Europe
6. - 55. 6.4 UK films in Latin America
7. - 56. 6.5 UK films in Asia
+ Chapter 7: UK talent and awards
1. - 57. Chapter 7: UK talent and awards
2. - 58. 7.1 UK story material
3. - 59. 7.2 UK actors
4. - 60. 7.3 UK directors
5. - 61. 7.3 UK directors
6. - 62. 7.4 Awards for UK films and talent
7. - 63. 7.4 Awards for UK films and talent
+ Chapter 8: Theatrical release history and comparative performance of UK films
1. - 64. Chapter 8: Theatrical release history and comparative performance of UK films
2. - 65. 8.1 Theatrical release of UK films 8.2 UK films defined
3. - 66. 8.3 Time to first theatrical release 8.4 Release rate of UK films in the UK and Republic of Ireland
4. - 67. 8.5 Release rate of different types of UK production in the UK and Republic of Ireland
5. - 68. 8.6 Box office performance of different types of UK production in the UK and Republic of Ireland 8.7 International release rates of UK films
6. - 69. 8.8 International release rates of different types of UK productions
7. - 70. 8.9 International box office performance of different types of UK production
8. - 71. 8.10 Release opportunities analysis
9. - 72. 8.11 Local and overseas share of box office of UK films
10. - 73. 8.11 Local and overseas share of box office of UK films
11. - 74. 8.12 Financial success analysis
12. - 75. 8.12 Financial success analysis
+ Chapter 9: Distribution
1. - 76. Chapter 9: Distribution
2. - 77. 9.1 Distributors in 2010
3. - 78. 9.2 Distributors 2004–2010
4. - 79. 9.3 Weekend box office
5. - 80. 9.4 Release costs
6. - 81. 9.4 Release costs
+ Chapter 10: Exhibition
1. - 82. Chapter 10: Exhibition
2. - 83. 10.1 UK cinema sites 10.2 UK screens
3. - 84. 10.3 Screen location
4. - 85. 10.4 Screen density and admissions per person – international comparisons 10.5 Screen density and admissions per person in the UK
5. - 86. 10.5 Screen density and admissions per person in the UK
6. - 87. 10.5 Screen density and admissions per person in the UK
7. - 88. 10.6 Type of cinema screens by nation and region
8. - 89. 10.7 Mainstream, specialised and South Asian programming
9. - 90. 10.8 Exhibitors
10. - 91. 10.9 Exhibitor revenue 10.10 Digital projection
11. - 92. 10.10 Digital projection
12. - 93. 10.10 Digital projection
13. - 94. 10.10 Digital projection
14. - 95. 10.11 Community cinema in the UK
15. - 96. 10.11 Community cinema in the UK
16. - 97. 10.11 Community cinema in the UK
+ Chapter 11: Film on video
1. - 98. Chapter 11: Film on video
2. - 99. 11.1 Film in the rental video market
3. - 100. 11.1 Film in the rental video market
4. - 101. 11.1 Film in the rental video market
5. - 102. 11.1 Film in the rental video market
6. - 103. 11.2 Film in the video rental market
7. - 104. 11.3 Hardware
+ Chapter 12: Film on UK television
1. - 105. Chapter 12: Film on UK television
2. - 106. 12.1 Programming on the terrestrial channels
3. - 107. 12.2 Peak time on terrestrial television
4. - 108. 12.3 Audiences for film on terrestrial television 12.4 Top film on terrestrial television
5. - 109. 12.4 Top film on terrestrial television
6. - 110. 12.5 Films on multi-channel television
7. - 111. 12.5 Films on multi-channel television
8. - 112. 12.5 Films on multi-channel television
9. - 113. 12.6 The audience for film on all television channels, 2000–2010
10. - 114. 12.7 The value of feature film to broadcasters
+ Chapter 13: Video on Demand
1. - 115. Chapter 13: Video on Demand
2. - 116. 13.1 The television-based VoD and nVoD market 13.2 Online VoD
3. - 117. 13.3 Future prospects for the VoD market
4. - 118. 13.3 Future prospects for the VoD market
+ Chapter 14: The UK film market as a whole
1. - 119. Chapter 14: The UK film market as a whole
2. - 120. 14.1 The UK filmed entertainment market as a whole
3. - 121. 14.2 The UK market in the global context
4. - 122. 14.2 The UK market in the global context
5. - 123. 14.3 The evolution of UK film revenues, 1998–2010
6. - 124. 14.3 The evolution of UK film revenues, 1998–2010
+ Chapter 15: Audiences
1. - 125. Chapter 15: Audiences
2. - 126. 15.1 Cinema audience by gender 15.2 Film preferences by gender
3. - 127. 15.3 Cinema audience by age
4. - 128. 15.3 Cinema audience by age
5. - 129. 15.4 Film preferences by age
6. - 130. 15.5 Cinema audience by social group
7. - 131. 15.6 Film preferences by social group
8. - 132. 15.7 Film audiences by ethnicity
9. - 133. 15.8 Film audiences by disability 15.9 Comparative profiles of cinema audiences for film and television
10. - 134. 15.10 How films are consumed by age
11. - 135. 15.11 Total size of the UK film audience
+ Chapter 16: Films certified as British 1998-2010
1. - 136. Chapter 16: Films certified as British 1998–2010
2. - 137. 16.1 Qualifying as an official British film 16.2 Schedule 1 cultural test certifications, 2009 and 2010
3. - 138. 16.3 Co-production certifications, 2009 and 2010 16.4 Finally certified British films, 1998–2010
4. - 139. 16.4 Finally certified British films, 1998–2010
5. - 140. 16.5 Median budgets, 1998–2010
6. - 141. 16.6 Final certifications by budget band, 1998–2010
7. - 142. 16.6 Final certifications by budget band, 1998–2010
8. - 143. 16.6 Final certifications by budget band, 1998–2010
+ Chapter 17: Film production in 2010
1. - 144. Chapter 17: Film production in 2010
2. - 145. 17.1 The value of UK production in 2010
3. - 146. 17.2 Inward, domestic and co-production features, 1994–2010
4. - 147. 17.2 Inward, domestic and co-production features, 1994–2010
5. - 148. 17.2 Inward, domestic and co-production features, 1994–2010
6. - 149. 17.3 Productions by genre, 2008–2010
7. - 150. 17.4 Budget trends
8. - 151. 17.5 Size distribution of budgets
9. - 152. 17.6 Big budget productions, 2007–2010
10. - 153. 17.8 UK domestic productions by territory of shoot/17.9 Co-productions by territory of shoot
11. - 154. 17.10 Production company activity levels/17.11 US studios’ involvement in fi lm production in the UK
12. - 155. 17.12 Low and micro-budget fi lm production in the UK, 2008–2010
13. - 156. 17.12 Low and micro-budget fi lm production in the UK, 2008–2010
+ Chapter 18: Public investment in film in the UK
1. - 157. Chapter 18: Public investment in fi lm in the UK
2. - 158. 18.1 Public funding for fi lm in the UK by source
3. - 159. 18.1 Public funding for fi lm in the UK by source
4. - 160. 18.1 Public funding for fi lm in the UK by source
5. - 161. 18.2 Film spend by organisation
6. - 162. 18.3 Activities supported by public spend on film/18.4 Large film production awards by agency 2009/10
7. - 163. 18.5 Leading public investors in British film production, 2008–2010
8. - 164. 18.5 Leading public investors in British film production, 2008–2010
+ Chapter 19: Film education
1. - 165. Chapter 19: Film education
2. - 166. 19.1 Introduction/19.2 Film education in formal education settings
3. - 167. 19.2 Film education in formal education settings
4. - 168. 19.3 National and regional film education providers
5. - 169. 19.3 National and regional film education providers
6. - 170. 19.4 Public investment in film education
7. - 171. 19.5 Moving image education providers in the UK
8. - 172. 19.5 Moving image education providers in the UK
9. - 173. 19.5 Moving image education providers in the UK
10. - 174. 19.5 Moving image education providers in the UK
+ Chapter 20: Film industry companies
1. - 175. Chapter 20: Film industry companies
2. - 176. 20.1 Number of companies in the film and video industries
3. - 177. 20.2 Size distribution of fi lm companies
4. - 178. 20.2 Size distribution of film companies
5. - 179. 20.3 National/regional distribution of film companies in the UK
6. - 180. 20.3 National/regional distribution of film companies in the UK
7. - 181. 20.4 Leading film companies in the UK and Europe
8. - 182. 20.5 Leading film production companies in the UK and Europe
9. - 183. 20.5 Leading film production companies in the UK and Europe
10. - 184. 20.5 Leading film production companies in the UK and Europe
+ Chapter 21: The UK film economy
1. - 185. Chapter 21: The UK film economy
2. - 186. 21.1 Film industry turnover, 1995–2009
3. - 187. 21.1 Film industry turnover, 1995–2009
4. - 188. 21.2 Film industry contribution to GDP, 1995–2009
5. - 189. 21.2 Film industry contribution to GDP, 1995–2009
6. - 190. 21.3 Film exports, 1995–2009/21.4 Film imports, 1995–2009
7. - 191. 21.5 The film trade balance, 1995–2009
8. - 192. 21.6 Film export markets/21.7 UK film exports compared with the global market for fi lmed entertainment
9. - 193. 21.8 The geographical distribution of the UK’s film trade surplus
+ Chapter 22: Employment in the film and video industries
1. - 194. Chapter 22: Employment in the film and video industries
2. - 195. 22.1 The workforce
3. - 196. 22.1 The workforce
4. - 197. 22.1 The workforce
5. - 198. 22.2 The gender of writers and directors of UK films
6. - 199. 22.2 The gender of writers and directors of UK films
7. - 200. 22.3 The workplace location
8. - 201. 22.4 The scale of the workplace
9. - 202. 22.4 The scale of the workplace
10. - 203. 22.4 The scale of the workplace
11. - 204. 22.4 The scale of the workplace
+ Glossary
1. - 205. Glossary
2. - 206. Glossary
3. - 207. Glossary
4. - 208. Glossary
+ Acknowledgements
1. - 209. Acknowledgements
+ Sources
1. - 210. Sources
2. - 211. Sources

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