- + Introduction and contents
- + Chief Executive's foreword
- + 2010 – the year in review
- + Chapter 1: The box office
- + Chapter 2: Top films in 2010
- + Chapter 3: Top films of all time at the UK box office
- + Chapter 4: Genre and classification
- + Chapter 5: Specialised films
- + Chapter 6: UK films internationally
- + Chapter 7: UK talent and awards
-
+
Chapter 8: Theatrical release history and comparative performance of UK films
- - 64. Chapter 8: Theatrical release history and comparative performance of UK films
- - 65. 8.1 Theatrical release of UK films 8.2 UK films defined
- - 66. 8.3 Time to first theatrical release 8.4 Release rate of UK films in the UK and Republic of Ireland
- - 67. 8.5 Release rate of different types of UK production in the UK and Republic of Ireland
- - 68. 8.6 Box office performance of different types of UK production in the UK and Republic of Ireland 8.7 International release rates of UK films
- - 69. 8.8 International release rates of different types of UK productions
- - 70. 8.9 International box office performance of different types of UK production
- - 71. 8.10 Release opportunities analysis
- - 72. 8.11 Local and overseas share of box office of UK films
- - 73. 8.11 Local and overseas share of box office of UK films
- - 74. 8.12 Financial success analysis
- - 75. 8.12 Financial success analysis
- + Chapter 9: Distribution
-
+
Chapter 10: Exhibition
- - 82. Chapter 10: Exhibition
- - 83. 10.1 UK cinema sites 10.2 UK screens
- - 84. 10.3 Screen location
- - 85. 10.4 Screen density and admissions per person – international comparisons 10.5 Screen density and admissions per person in the UK
- - 86. 10.5 Screen density and admissions per person in the UK
- - 87. 10.5 Screen density and admissions per person in the UK
- - 88. 10.6 Type of cinema screens by nation and region
- - 89. 10.7 Mainstream, specialised and South Asian programming
- - 90. 10.8 Exhibitors
- - 91. 10.9 Exhibitor revenue 10.10 Digital projection
- - 92. 10.10 Digital projection
- - 93. 10.10 Digital projection
- - 94. 10.10 Digital projection
- - 95. 10.11 Community cinema in the UK
- - 96. 10.11 Community cinema in the UK
- - 97. 10.11 Community cinema in the UK
- + Chapter 11: Film on video
-
+
Chapter 12: Film on UK television
- - 105. Chapter 12: Film on UK television
- - 106. 12.1 Programming on the terrestrial channels
- - 107. 12.2 Peak time on terrestrial television
- - 108. 12.3 Audiences for film on terrestrial television 12.4 Top film on terrestrial television
- - 109. 12.4 Top film on terrestrial television
- - 110. 12.5 Films on multi-channel television
- - 111. 12.5 Films on multi-channel television
- - 112. 12.5 Films on multi-channel television
- - 113. 12.6 The audience for film on all television channels, 2000–2010
- - 114. 12.7 The value of feature film to broadcasters
- + Chapter 13: Video on Demand
-
+
Chapter 14: The UK film market as a whole
- - 119. Chapter 14: The UK film market as a whole
- - 120. 14.1 The UK filmed entertainment market as a whole
- - 121. 14.2 The UK market in the global context
- - 122. 14.2 The UK market in the global context
- - 123. 14.3 The evolution of UK film revenues, 1998–2010
- - 124. 14.3 The evolution of UK film revenues, 1998–2010
-
+
Chapter 15: Audiences
- - 125. Chapter 15: Audiences
- - 126. 15.1 Cinema audience by gender 15.2 Film preferences by gender
- - 127. 15.3 Cinema audience by age
- - 128. 15.3 Cinema audience by age
- - 129. 15.4 Film preferences by age
- - 130. 15.5 Cinema audience by social group
- - 131. 15.6 Film preferences by social group
- - 132. 15.7 Film audiences by ethnicity
- - 133. 15.8 Film audiences by disability 15.9 Comparative profiles of cinema audiences for film and television
- - 134. 15.10 How films are consumed by age
- - 135. 15.11 Total size of the UK film audience
-
+
Chapter 16: Films certified as British 1998-2010
- - 136. Chapter 16: Films certified as British 1998–2010
- - 137. 16.1 Qualifying as an official British film 16.2 Schedule 1 cultural test certifications, 2009 and 2010
- - 138. 16.3 Co-production certifications, 2009 and 2010 16.4 Finally certified British films, 1998–2010
- - 139. 16.4 Finally certified British films, 1998–2010
- - 140. 16.5 Median budgets, 1998–2010
- - 141. 16.6 Final certifications by budget band, 1998–2010
- - 142. 16.6 Final certifications by budget band, 1998–2010
- - 143. 16.6 Final certifications by budget band, 1998–2010
-
+
Chapter 17: Film production in 2010
- - 144. Chapter 17: Film production in 2010
- - 145. 17.1 The value of UK production in 2010
- - 146. 17.2 Inward, domestic and co-production features, 1994–2010
- - 147. 17.2 Inward, domestic and co-production features, 1994–2010
- - 148. 17.2 Inward, domestic and co-production features, 1994–2010
- - 149. 17.3 Productions by genre, 2008–2010
- - 150. 17.4 Budget trends
- - 151. 17.5 Size distribution of budgets
- - 152. 17.6 Big budget productions, 2007–2010
- - 153. 17.8 UK domestic productions by territory of shoot/17.9 Co-productions by territory of shoot
- - 154. 17.10 Production company activity levels/17.11 US studios’ involvement in fi lm production in the UK
- - 155. 17.12 Low and micro-budget fi lm production in the UK, 2008–2010
- - 156. 17.12 Low and micro-budget fi lm production in the UK, 2008–2010
-
−
Chapter 18: Public investment in film in the UK
- - 157. Chapter 18: Public investment in fi lm in the UK
- - 158. 18.1 Public funding for fi lm in the UK by source
- - 159. 18.1 Public funding for fi lm in the UK by source
- - 160. 18.1 Public funding for fi lm in the UK by source
- - 161. 18.2 Film spend by organisation
- - 162. 18.3 Activities supported by public spend on film/18.4 Large film production awards by agency 2009/10
- - 163. 18.5 Leading public investors in British film production, 2008–2010
- - 164. 18.5 Leading public investors in British film production, 2008–2010
-
+
Chapter 19: Film education
- - 165. Chapter 19: Film education
- - 166. 19.1 Introduction/19.2 Film education in formal education settings
- - 167. 19.2 Film education in formal education settings
- - 168. 19.3 National and regional film education providers
- - 169. 19.3 National and regional film education providers
- - 170. 19.4 Public investment in film education
- - 171. 19.5 Moving image education providers in the UK
- - 172. 19.5 Moving image education providers in the UK
- - 173. 19.5 Moving image education providers in the UK
- - 174. 19.5 Moving image education providers in the UK
-
+
Chapter 20: Film industry companies
- - 175. Chapter 20: Film industry companies
- - 176. 20.1 Number of companies in the film and video industries
- - 177. 20.2 Size distribution of fi lm companies
- - 178. 20.2 Size distribution of film companies
- - 179. 20.3 National/regional distribution of film companies in the UK
- - 180. 20.3 National/regional distribution of film companies in the UK
- - 181. 20.4 Leading film companies in the UK and Europe
- - 182. 20.5 Leading film production companies in the UK and Europe
- - 183. 20.5 Leading film production companies in the UK and Europe
- - 184. 20.5 Leading film production companies in the UK and Europe
-
+
Chapter 21: The UK film economy
- - 185. Chapter 21: The UK film economy
- - 186. 21.1 Film industry turnover, 1995–2009
- - 187. 21.1 Film industry turnover, 1995–2009
- - 188. 21.2 Film industry contribution to GDP, 1995–2009
- - 189. 21.2 Film industry contribution to GDP, 1995–2009
- - 190. 21.3 Film exports, 1995–2009/21.4 Film imports, 1995–2009
- - 191. 21.5 The film trade balance, 1995–2009
- - 192. 21.6 Film export markets/21.7 UK film exports compared with the global market for fi lmed entertainment
- - 193. 21.8 The geographical distribution of the UK’s film trade surplus
-
+
Chapter 22: Employment in the film and video industries
- - 194. Chapter 22: Employment in the film and video industries
- - 195. 22.1 The workforce
- - 196. 22.1 The workforce
- - 197. 22.1 The workforce
- - 198. 22.2 The gender of writers and directors of UK films
- - 199. 22.2 The gender of writers and directors of UK films
- - 200. 22.3 The workplace location
- - 201. 22.4 The scale of the workplace
- - 202. 22.4 The scale of the workplace
- - 203. 22.4 The scale of the workplace
- - 204. 22.4 The scale of the workplace
- + Glossary
- + Acknowledgements
- + Sources
Downloads
Here you can download the whole report
Or you can download sections
- Download Introduction and contents (116KB)
- Download Chief Executive's foreword (32KB)
- Download 2010 – the year in review (73KB)
- Download Chapter 1: The box office (475KB)
- Download Chapter 2: Top films in 2010 (368KB)
- Download Chapter 3: Top films of all time at the UK box office (305KB)
- Download Chapter 4: Genre and classification (665KB)
- Download Chapter 5: Specialised films (1MB)
- Download Chapter 6: UK films internationally (468KB)
- Download Chapter 7: UK talent and awards (337KB)
- Download Chapter 8: Theatrical release history and comparative performance of UK films (670KB)
- Download Chapter 9: Distribution (262KB)
- Download Chapter 10: Exhibition (807KB)
- Download Chapter 11: Film on video (482KB)
- Download Chapter 12: Film on UK television (710KB)
- Download Chapter 13: Video on Demand (331KB)
- Download Chapter 14: The UK film market as a whole (344KB)
- Download Chapter 15: Audiences (636KB)
- Download Chapter 16: Films certified as British 1998-2010 (446KB)
- Download Chapter 17: Film production in 2010 (823KB)
- Download Chapter 18: Public investment in film in the UK (422KB)
- Download Chapter 19: Film education (495KB)
- Download Chapter 20: Film industry companies (520KB)
- Download Chapter 21: The UK film economy (556KB)
- Download Chapter 22: Employment in the film and video industries (679KB)
- Download Glossary (117KB)
- Download Acknowledgements (33KB)
- Download Sources (61KB)
