1. FC. Front cover

    FC. Front cover
  2. 1. Introduct...

    1. Introduction
  3. 2. Contents

    2. Contents
  4. 3. Contents

    3. Contents
  5. 4. Opening s...

    4. Opening statements
  6. 5. Chief Exe...

    5. Chief Executive's foreword
  7. 6. Year in r...

    6. Year in review
  8. 7. Year in r...

    7. Year in review
  9. 8. Chapter 1...

    8. Chapter 1: The box office
  10. 9. 1.1 Admis...

    9. 1.1 Admissions
  11. 10. 1.1 Admis...

    10. 1.1 Admissions
  12. 11. 1.2 Box o...

    11. 1.2 Box office earnings
  13. 12. 1.3 Film ...

    12. 1.3 Film releases and box office revenues
  14. 13. 1.3 Film ...

    13. 1.3 Film releases and box office revenues
  15. 14. 1.4 Count...

    14. 1.4 Country of origin of film releases
  16. 15. 1.4 Count...

    15. 1.4 Country of origin of film releases
  17. 16. Chapter 2...

    16. Chapter 2: Top films in 2010
  18. 17. 2.1 The t...

    17. 2.1 The top 20 films
  19. 18. 2.2 The t...

    18. 2.2 The top 20 UK films
  20. 19. 2.3 The t...

    19. 2.3 The top 20 UK independent films  2.4 The top 3D films
  21. 20. 2.5 Best ...

    20. 2.5 Best weekend performance of UK films
  22. 21. 2.5 Best ...

    21. 2.5 Best weekend performance of UK films
  23. 22. Chapter 3...

    22. Chapter 3: Top films of all time at the UK box office
  24. 23. 3.1 All t...

    23. 3.1 All time top 20 films at the UK box office
  25. 24. 3.2 Infla...

    24. 3.2 Inflation-adjusted top 20 films at the UK box office
  26. 25. 3.3 All t...

    25. 3.3 All time top 20 UK films at the UK box office
  27. 26. 3.4 All t...

    26. 3.4 All time top 20 independent UK films at the UK box office
  28. 27. Chapter 4...

    27. Chapter 4: Genre and classification
  29. 28. 4.1 Genre

    28. 4.1 Genre
  30. 29. 4.1 Genre

    29. 4.1 Genre
  31. 30. 4.1 Genre

    30. 4.1 Genre
  32. 31. 4.1 Genre

    31. 4.1 Genre
  33. 32. 4.1 Genre

    32. 4.1 Genre
  34. 33. 4.1 Genre

    33. 4.1 Genre
  35. 34. 4.2 BBFC ...

    34. 4.2 BBFC classification
  36. 35. 4.2 BBFC ...

    35. 4.2 BBFC classification
  37. 36. 4.2 BBFC ...

    36. 4.2 BBFC classification
  38. 37. 4.2 BBFC ...

    37. 4.2 BBFC classification
  39. 38. 4.2 BBFC ...

    38. 4.2 BBFC classification
  40. 39. 4.2 BBFC ...

    39. 4.2 BBFC classification
  41. 40. Chapter 5...

    40. Chapter 5: Specialised films
  42. 41. 5.1 Speci...

    41. 5.1 Specialised films at the UK box office in 2010
  43. 42. 5.1 Speci...

    42. 5.1 Specialised films at the UK box office in 2010
  44. 43. 5.1 Speci...

    43. 5.1 Specialised films at the UK box office in 2010
  45. 44. 5.2 Forei...

    44. 5.2 Foreign language film
  46. 45. 5.2 Forei...

    45. 5.2 Foreign language film
  47. 46. 5.2 Forei...

    46. 5.2 Foreign language film
  48. 47. 5.3 Docum...

    47. 5.3 Documentaries
  49. 48. 5.4 Re-re...

    48. 5.4 Re-releases of classic and archive films
  50. 49. 5.4 Re-re...

    49. 5.4 Re-releases of classic and archive films
  51. 50. Chapter 6...

    50. Chapter 6: UK films internationally
  52. 51. 6.1 UK fi...

    51. 6.1 UK films worldwide
  53. 52. 6.2 UK fi...

    52. 6.2 UK films in North America
  54. 53. 6.2 UK fi...

    53. 6.2 UK films in North America
  55. 54. 6.3 UK fi...

    54. 6.3 UK films in Europe
  56. 55. 6.4 UK fi...

    55. 6.4 UK films in Latin America
  57. 56. 6.5 UK fi...

    56. 6.5 UK films in Asia
  58. 57. Chapter 7...

    57. Chapter 7: UK talent and awards
  59. 58. 7.1 UK st...

    58. 7.1 UK story material
  60. 59. 7.2 UK ac...

    59. 7.2 UK actors
  61. 60. 7.3 UK di...

    60. 7.3 UK directors
  62. 61. 7.3 UK di...

    61. 7.3 UK directors
  63. 62. 7.4 Award...

    62. 7.4 Awards for UK films and talent
  64. 63. 7.4 Award...

    63. 7.4 Awards for UK films and talent
  65. 64. Chapter 8...

    64. Chapter 8: Theatrical release history and comparative performance of UK films
  66. 65. 8.1 Theat...

    65. 8.1 Theatrical release of UK films 8.2 UK films defined
  67. 66. 8.3 Time ...

    66. 8.3 Time to first theatrical release 8.4 Release rate of UK films in the UK and Republic of Ireland
  68. 67. 8.5 Relea...

    67. 8.5 Release rate of different types of UK production in the UK and Republic of Ireland
  69. 68. 8.6 Box o...

    68. 8.6 Box office performance of different types of UK production in the UK and Republic of Ireland 8.7 International release rates of UK films
  70. 69. 8.8 Inter...

    69. 8.8 International release rates of different types of UK productions
  71. 70. 8.9 Inter...

    70. 8.9 International box office performance of different types of UK production
  72. 71. 8.10 Rele...

    71. 8.10 Release opportunities analysis
  73. 72. 8.11 Loca...

    72. 8.11 Local and overseas share of box office of UK films
  74. 73. 8.11 Loca...

    73. 8.11 Local and overseas share of box office of UK films
  75. 74. 8.12 Fina...

    74. 8.12 Financial success analysis
  76. 75. 8.12 Fina...

    75. 8.12 Financial success analysis
  77. 76. Chapter 9...

    76. Chapter 9: Distribution
  78. 77. 9.1 Distr...

    77. 9.1 Distributors in 2010
  79. 78. 9.2 Distr...

    78. 9.2 Distributors 2004–2010
  80. 79. 9.3 Weeke...

    79. 9.3 Weekend box office
  81. 80. 9.4 Relea...

    80. 9.4 Release costs
  82. 81. 9.4 Relea...

    81. 9.4 Release costs
  83. 82. Chapter 1...

    82. Chapter 10: Exhibition
  84. 83. 10.1 UK c...

    83. 10.1 UK cinema sites 10.2 UK screens
  85. 84. 10.3 Scre...

    84. 10.3 Screen location
  86. 85. 10.4 Scre...

    85. 10.4 Screen density and admissions per person – international comparisons 10.5 Screen density and admissions per person in the UK
  87. 86. 10.5 Scre...

    86. 10.5 Screen density and admissions per person in the UK
  88. 87. 10.5 Scre...

    87. 10.5 Screen density and admissions per person in the UK
  89. 88. 10.6 Type...

    88. 10.6 Type of cinema screens by nation and region
  90. 89. 10.7 Main...

    89. 10.7 Mainstream, specialised and South Asian programming
  91. 90. 10.8 Exhi...

    90. 10.8 Exhibitors
  92. 91. 10.9 Exhi...

    91. 10.9 Exhibitor revenue 10.10 Digital projection
  93. 92. 10.10 Dig...

    92. 10.10 Digital projection
  94. 93. 10.10 Dig...

    93. 10.10 Digital projection
  95. 94. 10.10 Dig...

    94. 10.10 Digital projection
  96. 95. 10.11 Com...

    95. 10.11 Community cinema in the UK
  97. 96. 10.11 Com...

    96. 10.11 Community cinema in the UK
  98. 97. 10.11 Com...

    97. 10.11 Community cinema in the UK
  99. 98. Chapter 1...

    98. Chapter 11: Film on video
  100. 99. 11.1 Film...

    99. 11.1 Film in the rental video market
  101. 100. 11.1 Film...

    100. 11.1 Film in the rental video market
  102. 101. 11.1 Film...

    101. 11.1 Film in the rental video market
  103. 102. 11.1 Film...

    102. 11.1 Film in the rental video market
  104. 103. 11.2 Film...

    103. 11.2 Film in the video rental market
  105. 104. 11.3 Hard...

    104. 11.3 Hardware
  106. 105. Chapter 1...

    105. Chapter 12: Film on UK television
  107. 106. 12.1 Prog...

    106. 12.1 Programming on the terrestrial channels
  108. 107. 12.2 Peak...

    107. 12.2 Peak time on terrestrial television
  109. 108. 12.3 Audi...

    108. 12.3 Audiences for film on terrestrial television 12.4 Top film on terrestrial television
  110. 109. 12.4 Top ...

    109. 12.4 Top film on terrestrial television
  111. 110. 12.5 Film...

    110. 12.5 Films on multi-channel television
  112. 111. 12.5 Film...

    111. 12.5 Films on multi-channel television
  113. 112. 12.5 Film...

    112. 12.5 Films on multi-channel television
  114. 113. 12.6 The ...

    113. 12.6 The audience for film on all television channels, 2000–2010
  115. 114. 12.7 The ...

    114. 12.7 The value of feature film to broadcasters
  116. 115. Chapter 1...

    115. Chapter 13: Video on Demand
  117. 116. 13.1 The ...

    116. 13.1 The television-based VoD and nVoD market 13.2 Online VoD
  118. 117. 13.3 Futu...

    117. 13.3 Future prospects for the VoD market
  119. 118. 13.3 Futu...

    118. 13.3 Future prospects for the VoD market
  120. 119. Chapter 1...

    119. Chapter 14: The UK film market as a whole
  121. 120. 14.1 The ...

    120. 14.1 The UK filmed entertainment market as a whole
  122. 121. 14.2 The ...

    121. 14.2 The UK market in the global context
  123. 122. 14.2 The ...

    122. 14.2 The UK market in the global context
  124. 123. 14.3 The ...

    123. 14.3 The evolution of UK film revenues, 1998–2010
  125. 124. 14.3 The ...

    124. 14.3 The evolution of UK film revenues, 1998–2010
  126. 125. Chapter 1...

    125. Chapter 15: Audiences
  127. 126. 15.1 Cine...

    126. 15.1 Cinema audience by gender 15.2 Film preferences by gender
  128. 127. 15.3 Cine...

    127. 15.3 Cinema audience by age
  129. 128. 15.3 Cine...

    128. 15.3 Cinema audience by age
  130. 129. 15.4 Film...

    129. 15.4 Film preferences by age
  131. 130. 15.5 Cine...

    130. 15.5 Cinema audience by social group
  132. 131. 15.6 Film...

    131. 15.6 Film preferences by social group
  133. 132. 15.7 Film...

    132. 15.7 Film audiences by ethnicity
  134. 133. 15.8 Film...

    133. 15.8 Film audiences by disability 15.9 Comparative profiles of cinema audiences for film and television
  135. 134. 15.10 How...

    134. 15.10 How films are consumed by age
  136. 135. 15.11 Tot...

    135. 15.11 Total size of the UK film audience
  137. 136. Chapter 1...

    136. Chapter 16: Films certified as British 1998–2010
  138. 137. 16.1 Qual...

    137. 16.1 Qualifying as an official British film 16.2 Schedule 1 cultural test certifications, 2009 and 2010
  139. 138. 16.3 Co-p...

    138. 16.3 Co-production certifications, 2009 and 2010 16.4 Finally certified British films, 1998–2010
  140. 139. 16.4 Fina...

    139. 16.4 Finally certified British films, 1998–2010
  141. 140. 16.5 Medi...

    140. 16.5 Median budgets, 1998–2010
  142. 141. 16.6 Fina...

    141. 16.6 Final certifications by budget band, 1998–2010
  143. 142. 16.6 Fina...

    142. 16.6 Final certifications by budget band, 1998–2010
  144. 143. 16.6 Fina...

    143. 16.6 Final certifications by budget band, 1998–2010
  145. 144. Chapter 1...

    144. Chapter 17: Film production in 2010
  146. 145. 17.1 The ...

    145. 17.1 The value of UK production in 2010
  147. 146. 17.2 Inwa...

    146. 17.2 Inward, domestic and co-production features, 1994–2010
  148. 147. 17.2 Inwa...

    147. 17.2 Inward, domestic and co-production features, 1994–2010
  149. 148. 17.2 Inwa...

    148. 17.2 Inward, domestic and co-production features, 1994–2010
  150. 149. 17.3 Prod...

    149. 17.3 Productions by genre, 2008–2010
  151. 150. 17.4 Budg...

    150. 17.4 Budget trends
  152. 151. 17.5 Size...

    151. 17.5 Size distribution of budgets
  153. 152. 17.6 Big ...

    152. 17.6 Big budget productions, 2007–2010
  154. 153. 17.8 UK d...

    153. 17.8 UK domestic productions by territory of shoot/17.9 Co-productions by territory of shoot
  155. 154. 17.10 Pro...

    154. 17.10 Production company activity levels/17.11 US studios’ involvement in fi lm production in the UK
  156. 155. 17.12 Low...

    155. 17.12 Low and micro-budget fi lm production in the UK, 2008–2010
  157. 156. 17.12 Low...

    156. 17.12 Low and micro-budget fi lm production in the UK, 2008–2010
  158. 157. Chapter 1...

    157. Chapter 18: Public investment in fi lm in the UK
  159. 158. 18.1 Publ...

    158. 18.1 Public funding for fi lm in the UK by source
  160. 159. 18.1 Publ...

    159. 18.1 Public funding for fi lm in the UK by source
  161. 160. 18.1 Publ...

    160. 18.1 Public funding for fi lm in the UK by source
  162. 161. 18.2 Film...

    161. 18.2 Film spend by organisation
  163. 162. 18.3 Acti...

    162. 18.3 Activities supported by public spend on film/18.4 Large film production awards by agency 2009/10
  164. 163. 18.5 Lead...

    163. 18.5 Leading public investors in British film production, 2008–2010
  165. 164. 18.5 Lead...

    164. 18.5 Leading public investors in British film production, 2008–2010
  166. 165. Chapter 1...

    165. Chapter 19: Film education
  167. 166. 19.1 Intr...

    166. 19.1 Introduction/19.2 Film education in formal education settings
  168. 167. 19.2 Film...

    167. 19.2 Film education in formal education settings
  169. 168. 19.3 Nati...

    168. 19.3 National and regional film education providers
  170. 169. 19.3 Nati...

    169. 19.3 National and regional film education providers
  171. 170. 19.4 Publ...

    170. 19.4 Public investment in film education
  172. 171. 19.5 Movi...

    171. 19.5 Moving image education providers in the UK
  173. 172. 19.5 Movi...

    172. 19.5 Moving image education providers in the UK
  174. 173. 19.5 Movi...

    173. 19.5 Moving image education providers in the UK
  175. 174. 19.5 Movi...

    174. 19.5 Moving image education providers in the UK
  176. 175. Chapter 2...

    175. Chapter 20: Film industry companies
  177. 176. 20.1 Numb...

    176. 20.1 Number of companies in the film and video industries
  178. 177. 20.2 Size...

    177. 20.2 Size distribution of fi lm companies
  179. 178. 20.2 Size...

    178. 20.2 Size distribution of film companies
  180. 179. 20.3 Nati...

    179. 20.3 National/regional distribution of film companies in the UK
  181. 180. 20.3 Nati...

    180. 20.3 National/regional distribution of film companies in the UK
  182. 181. 20.4 Lead...

    181. 20.4 Leading film companies in the UK and Europe
  183. 182. 20.5 Lead...

    182. 20.5 Leading film production companies in the UK and Europe
  184. 183. 20.5 Lead...

    183. 20.5 Leading film production companies in the UK and Europe
  185. 184. 20.5 Lead...

    184. 20.5 Leading film production companies in the UK and Europe
  186. 185. Chapter 2...

    185. Chapter 21: The UK film economy
  187. 186. 21.1 Film...

    186. 21.1 Film industry turnover, 1995–2009
  188. 187. 21.1 Film...

    187. 21.1 Film industry turnover, 1995–2009
  189. 188. 21.2 Film...

    188. 21.2 Film industry contribution to GDP, 1995–2009
  190. 189. 21.2 Film...

    189. 21.2 Film industry contribution to GDP, 1995–2009
  191. 190. 21.3 Film...

    190. 21.3 Film exports, 1995–2009/21.4 Film imports, 1995–2009
  192. 191. 21.5 The ...

    191. 21.5 The film trade balance, 1995–2009
  193. 192. 21.6 Film...

    192. 21.6 Film export markets/21.7 UK film exports compared with the global market for fi lmed entertainment
  194. 193. 21.8 The ...

    193. 21.8 The geographical distribution of the UK’s film trade surplus
  195. 194. Chapter 2...

    194. Chapter 22: Employment in the film and video industries
  196. 195. 22.1 The ...

    195. 22.1 The workforce
  197. 196. 22.1 The ...

    196. 22.1 The workforce
  198. 197. 22.1 The ...

    197. 22.1 The workforce
  199. 198. 22.2 The ...

    198. 22.2 The gender of writers and directors of UK films
  200. 199. 22.2 The ...

    199. 22.2 The gender of writers and directors of UK films
  201. 200. 22.3 The ...

    200. 22.3 The workplace location
  202. 201. 22.4 The ...

    201. 22.4 The scale of the workplace
  203. 202. 22.4 The ...

    202. 22.4 The scale of the workplace
  204. 203. 22.4 The ...

    203. 22.4 The scale of the workplace
  205. 204. 22.4 The ...

    204. 22.4 The scale of the workplace
  206. 205. Glossary

    205. Glossary
  207. 206. Glossary

    206. Glossary
  208. 207. Glossary

    207. Glossary
  209. 208. Glossary

    208. Glossary
  210. 209. Acknowled...

    209. Acknowledgements
  211. 210. Sources

    210. Sources
  212. 211. Sources

    211. Sources
  213. 212. Back cover

    212. Back cover

Tools

Sources | Sources

210 / 213